Links to Bob Marley Song Lyrics

 

History of Sound In Chronological Order

Lyrics A
Africa Unite
Ambush In The Night
All In One

Lyrics B
Bad Card
Blackman Redemption
Brain Washing
Buffalo Soldier
Burnin' and Lootin'
Black Survivors
Babylon System

Lyrics C
Chances Are!
Chant Down Babylon
Cheer Up
Coming in from the Cold
Concrete Jungle
Could You Be Loved
Craven Choke Puppy
Crazy Baldheads
Crisis
Cry To Me

Lyrics D
Don't Rock The Boat
Duppy Conqueror

Lyrics E
Easy Skanking
Exodus

Lyrics F
Forever Loving Jah
Freedom Time

Lyrics G
Get Up Stand Up
Give Thanks & Praise
Guava Jelly

Guiltiness

Lyrics H
Heathen
How Many Times

Lyrics I
Is This Love
I'm Hurting Inside
I'm Still Waiting
It Hurts To Be Alone
Iron Lion Zion
I am Going Home
I Know
I Shot The Sheriff

Lyrics J
Jah Lives
Jailhouse
Jamming
Johnny Was
Judge Not
Jump Nyabinghi

Lyrics K
Kaya
Keep On Moving!

Lyrics L
Lick Samba

Lyrics M
Mellow Mood!
Midnight Ravers
Misty Morning
Mix Up Mix Up!
More Axe
Mr Chatterbox

Lyrics N
Natural Mystic
Nice Time
Night Shift
No Woman No Cry!

Lyrics O

One Drop
One Love

Lyrics P

Put It On
Pimper's Paradise

Lyrics R

Rainbow Country
Rastaman Chant
Rastaman Live Up
Rastaman Vibration
Rat Race!
Real Situation
Rebel Music
Redemption Song
Revolution

Ride Natty Ride
Riding Hide
Rock It Baby
Roots Natty
Roots Rock  Reggae

Running Away

Lyrics S

Satisfy My Soul
She's Gone
Simmer Down
Slave Driver
Small Axe
So Jah Say
So Much Trouble
Soul Almighty
Soul Rebel
Soul Shake Party
Stand Alone
Stiff  Neck Fools
Stir It Up
Stop That Train
The Sun Is Shining
So Much To Say

Lyrics T

Talkin' Blues
Teenager In Love
Thank You Lord
Them Belly Full
There She Goes
Three Little Birds
Time Will Tell
Top Rankin'
Trenchtown
Trenchtown Rock
Try Me
Turn Your Lights Down Low

Lyrics W
War
Waiting In Vain
Wake Up And Live
Who The Cap Fits
We And Dem
Work
Why Should I?

Lyrics Z

Zimbabwe
Zion Train

Lyrics 400

400 Years

Bob Marley's
Discography

Vinyl Record Collectors identification LogoHistory of Sound 4

1947 to 1955

1947 The big 6 record companies controlled majority industry: Columbia, Victor, Decca, Capitol, MGM, Mercury, but teenagers rejected majority music style, giving opportunity to the rise of new small independent labels.

1947 The Williamson high fidelity power amplifier circuit is published and the first issue of Audio Engineering is published; its name later shortened to Audio.  

1947 Ampex produces its first tape recorder, the Model 200 and saw major improvements made in disk-cutting technology.

1947 The microgroove 33-1/3 rpm long-play vinyl record (LP) is introduced by Columbia Records. Scotch types 111 and 112 acetate-base tapes are introduced.

1947 Magnecord introduces its PT-6, the first tape recorder in portable cases.   

1947 Ampex corporation, using Armour Research Foundation and German expertise and designs, produces its first professional tape recorder, the Model 200.  

1947 The first catalogue of recorded music on tape appears in the United States. It is offered by Recording Associates company.  

1947 Les Paul refines sound on sound and overdubbing. First 7" 45rpm released by RCA. LEF Magnecord produces the first U.S.-made stereo tape recorder, employing half-track staggered-head assemblies.  

1947 A novel amplifier design is described by McIntosh and Gow.  

1947 Roy Brown recorded one of the earliest "rock and roll" songs Good Rocking Tonight on Deluxe label, although the name was common in early blues recordings such as Trixie Smith's 1922 My Man Rocks Me With One Steady Roll.

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1948 EMI sends its first prototype tape machine to BBC for trials.  

1948 Studer opens for business selling oscilloscopes.   

1948 The Audio Engineering Society (AES) is formed in New York City.  

1949 Ampex model 300 "The Eighteen Months of Tape" 1947September to

  

1949 March and CBS introduces the LP record.  

1949 Todd Storz of Omaha's KOWH created the Top 40 charts after observing customers in a bar play the same juke box selection over and over.

1950 Popularization of stereo recording. Decca launches the LP in UK. Magnechord PT-6 stereo. Emory Cook, Bert Whyte, and Chet Similey.  

1950 Sony founded in Japan. Guitarist Les Paul modifies his Ampex 300 with an extra preview head for "Sound-on-Sound" overdubs.  

1950 IBM develops a commercial magnetic drum memory.  

1950 Muddy Waters recorded Rollin' Stone for the Aristocrat label of Leonard and Phil Chess on Maxwell Street in Chicago, at the end of Highway 61, "the road to freedom" followed by many black blues singers from the Miss Delta to Chicago. Waters electrified the blues and helped create rock and roll.

1951 First prototype video tape recorder. Irish tape Opeleika Al. LEF EMI releases Stereosonic tapes. AF The "hot stylus" technique is introduced to disk recording.

1951 Sam Phillips in his studio in Memphis used his Ampex 350 tape machine to record Rocket 88, written by Ike Turner, sung by Jackie Brenston, and sold to Leonard and Phil Chess in Chicago who released it as the 78 rpm Chess record. The sale of this master tape allowed Phillips to start his own Sun Records label.

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1951 An "Ultra-Linear" amplifier circuit is proposed by Hafler and Keroes. Pultec introduces the first active program equalizer, the EQP-1.  

1951 The Germanium transistor is developed at Bell Laboratories.  

1951  Bing Crosby Enterprises, the research team funded by Crosby and headed by engineer John Mullin, demonstrate a crude video recording system.  

1952 The first Revox. TF Peter J. Baxandall publishes his (much-copied) tone control circuit. Emory Cook presses experimental dual-band left-right "binaural" disks.  

1952 Alan Freed started Moondog's Rock and Roll Party in Cleveland after visit to Leo Mintz's record store.

1953 Elvis Presley in the summer made his first recording (a personal disc for himself, not for his mother's birthday that was in the spring) at the Sun studio of Sam Phillips in Memphis; the second recording by Elvis at Sun was That's All Right released 19th July

1954, taped on the two Ampex 350 recorders Phillips used to create the "slapback" audio delay that became a trademark sound of Sun records.

1953 Telefunken condenser mikes ($390) begin to replace RCA 77D ribbon mics ($135) as US standard recording tool. RCA and Crosby plan colour videotape.  

1953 RIAA curve for records established.  

1953 Ampex engineers a 4-track, 35 mm magnetic film system for 20th-Century Fox's Christmas release of "The Robe" in Cinemascope with surround sound. Ampex introduces the first high speed reel-to-reel duplicator as its Model 3200.

1954 Bill Haley recorded rhythmic Shake, Rattle and Roll and Rock Around the Clock on Decca, due to the success in 1953 of his first national rock hit Crazy Man Crazy on Essex label.

1954 First commercial stereo recordings on RCA and Mercury.

1954  Decca and Westrex begin work on stereo records; Ampex develops 1" eight track for Les Paul.

1954 Bell Labs invent transistor, Sony takes out license.  

1954 Allen Fried labels "Rock n' Roll" and Elvis records for Sun.  

1954 TF EMT (Germany) introduces the electromechanical reverberation plate. Sony produces the first pocket transistor radios.

1954 Ampex produces its Model 600 portable tape recorder.  

1954 G. A. Briggs stages a live-versus-recorded demonstration in London's Royal Festival Hall.  

1954 Westrex introduces their Model 2B motional feedback lateral-cut disk recording head.  

1955 RCA introduces its polydirectional ribbon microphone, the 77DX.

1955 Popularization on recording. First Wollensack recorders appear a and educational standard through 1965

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History of Sound 5